This was crowned by a letter of recognition and thanks from then-President Lech Wałęsa of Poland.Ī dedicated educator, Ms. Regularly scheduled on both the New York Public Library and the Chopin Society of New England concert series, her artistic achievement, and collaboration with the incomparable soprano, Danuta Sava-Wysocka led to a special invitation by the Consul General of Poland to perform at the Consulate in New York. Dietrich has appeared as a soloist in concert and with orchestras and has performed on such stages as Jordan Hall, Symphony Hall, and Alice Tully Hall at Lincoln Center. Steinert and Sons Piano Academy in 2015 and was designated a Steinway Ambassador in 2020. Dietrich is a concert pianist, educator, and the Artistic Director of the Steinway Society of Massachusetts since 2017. Instructors (in alphabetical order) Christina Dietrich She attended on a full scholarship, studying with legendary professors Herbert Stessin for piano and Felix Galimir for chamber music. Ovrutsky Fensome holds Bachelor’s and Master’s Degrees from The Juilliard School. Her duo CD with Mikhail Ovrutsky, “Turning Points” recorded for Berlin Classics® has earned outstanding reviews and was selected as “CD of the Week” by RBB Her numerous competition awards include the Aspen Music Festival Competition and Concert Artist Competition in New York. Earlier in her career she worked as a collaborative pianist in the master classes and private lessons of professors Zakhar Bron, Dorothy DeLay, Mauricio Fuks, Itzhak Perlman, Vadim Repin, and Pinchas Zukerman. She has performed in recitals with world-renowned musicians including Sarah Chang and Vladimir Spivakov, and continuously collaborates with her brother Mikhail Ovrutsky. She performed as a soloist with the Aspen Festival Orchestra, Reno Philharmonic, and Neuchatel Festival Orchestra in Switzerland. She has performed in major venues in the United States, Europe, Russia, and South Africa – including Weill Carnegie Concert Hall and Lincoln Center in NY, Kimmel Center in Philadelphia, Aspen Music Festival, Palace de Beaux Arts in Brussels, and Lucerne Music Festival. Her extraordinary artistry brings new life to a wide array of piano repertoire, from Baroque to the 21st Century. Ovrutsky Fensome’s performances are known for their fresh, imaginative, and passionate interpretation. Her commitment to teaching and inspiring young people in their study of piano music has been recognized with the Top Teacher Award by Steinway & Sons for several consecutive years. We believe that the world is a better place every time someone plays the piano.ĭirector and Artist-In-Residence Sonya Ovrutsky Fensomeĭirector, Head Teacher, and Artist in Resident, Sonya Ovrutsky Fensome has joined M.Among our students are competition winners as well as beginners pursuing piano as a hobby.We inspire students of a wide array of ages, levels, and musical goals to fulfill their potential through piano playing. We are nurturing and sensitive instructors.It could also be intentional, of course, as this game is about keeping a rhythm and not necessarily following the notes, but when the notes are the cues, it can throw someone off. This may, of course, merely be my experience and I may just consistently hit that note early, but I seem to hit every other note in the song spot-on. if I adjust and hit just a hair late, I can consistently hit the note. I've tested multiple times through multiple calibrations and on multiple computers and it seems to be consistent. Every other note seems to start right on the beat, but that note seems to start just early enough that hitting the button on note start causes an early beat. In what I'll call phase 4 of the song (when you're controlling the elderly woman's defib on a faster 7-note sequence) the second measure of the loop's final note seems to start a hair early. This becomes more apparent in another moment that I noticed. Hello! I don't mean to be nit-picky about a game that's shaping up so fantastically, but I did have one small complaint on the tuning of the volume levels in 4-3 as well as a slightly off-beat note in one of the sequences.įirstly, the cue sounds of the different beats are very quiet in comparison to the music, in my opinion of course, and it makes it hard to hear the beats properly.
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